Best rated fashion shows and trends 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. After his experience over these years, Qassim gained more attention and started working with more famous labels, where he was seen modeling for brands like “Etro” and “Trashy clothing”, that featured Qassim, in top world magazines including, Vogue, and W magazine. With this experience, and his move from Amman to London, he had his first debut in London Fashion week under the Event “Fashion show live”.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”
This collection is dedicated to youth, in hopes that it can keep the unresolved poetry of adolescence like a flawless garment – in all its vivid romanticism, inspiring idealism, hope for the future, for a better world, and its dreams of perfection, said Nicolas Ghesquiere of AW22. The AW22 Balenciaga show was a powerful one, as Demna Gvasalia made a comment on climate change (with the models walking through a fake snowstorm) but also paid tribute to those currently suffering in Ukraine, both on the catwalk (with blue and yellow finale looks) and with the show’s message of a fearlessness to resistance and the victory of love and peace. The war in Ukraine has triggered the pain of a past trauma I have carried in me since 1993, when the same thing happened in my home country and I became a forever refugee, read a personal note from the Georgian designer that was on every seat. This is why working on this show was so incredibly hard for me. Because in a time like this, fashion loses its relevance and its actual right to exist. Fashion week feels like some kind of absurdity.
In a typical season, our most-viewed shows list is fairly steady, but fall 2022 was no typical season. Early on in Milan, almost two years to the day after Covid broke out in Italy, Russia’s invasion of Ukraine disrupted any sense of post-pandemic return to normalcy the industry was hoping for. The rest of the season was an open question, whether or not designers chose to confront it: What is fashion’s place in a moment of incipient war? After a very strange few years, a relatively normal schedule of fashion shows wrapped in March. For autumn/winter 2022, plenty of designers were back on the physical schedule after taking a few seasons off due to the Covid-19 pandemic, while more international editors and influencers also flew around the globe to sit front row at the major shows as restrictions eased.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: The production of the clothing itself embodies the anguish of border separation. “In many cases, we have not even been able to meet many of the producers we work with in person,” Mjalli explains. And yet, the collective works alongside “an intimate creative network of Palestinians—from fabric vendors in Nablus, to embroiderers in Gaza, to tailors in Ramallah.” Meera Albaba, founder of the Meera Adnan label, makes intimate contemporary wear encompassing the geography and art of Palestine. She consistently seeks to amplify the voices of marginalized Palestinian people, and her garments seek to reclaim the Palestinian narrative. The silhouettes are romantic yet modern; her structured blazers and modest, straight-cut maxi-dresses, are made in a color palette reminiscent of the Palestinian landscape.