High quality fashion events right now in 2022 with Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.

Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”

Creative director Olivier Rousteing returned to the catwalk last night, presenting a collection which was designed as a response to his own suffering after being burned and scarred as a result of an explosion in his home in 2020. It was a message of the power of hope and truth, he said and, while not originally intended as a response to what is happening in Ukraine, those are two things we have never needed more than we do right now. These runway offerings were not designed as a direct response to the recent horrific invasion of our neighbours and I would never dare to even think of comparing the suffering that they are going through right now with the problems that I have had on social media. Still, as we watch the news, my team and I do keep in mind this collection’s message: united in solidarity, we can rely on the power of hope and truth to push back against hate, lies and aggression.



That did not mean however, that we didn’t see some digital presentations, as many designers continued to adopt less traditional ways of presenting their designs, whether through imagery, film or something else unique. However, the emphasis was definitely on the traditional catwalk presentation. With the shows now officially wrapped up for another season, scroll down to see every major moment that took place on the catwalk. From New York, London, Milan and Paris, here is what autumn/winter 2022 is looking like.

The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: In light of all this, a new class of Palestinian political activists, artists, and designers has emerged. This growing mass of politically minded collectives employ art to convey their love for their homeland—and preserve their heritage and history. This is their reclamation, one stitch at a time. Angham Khalil, the designer behind ready-to-wear brand n n b y n n, explores the struggle of attaining a cohesive identity under occupation. The brand’s decidedly unisex clothing, minimalist aesthetics, and subdued color palettes put forth an understated yet culturally potent vision of Palestinian fashion. “What the Palestinian artist lacks is the possibility of communicating with the world, especially with the Arab world. The occupation wants to keep us small without a voice,” says Khalil.