Premium portret painting advices by Gerry Bryceland

High quality portret painting guides from Gerard Bryceland? While drawing from life with a self-portrait involves using a mirror, and it is challenging, it’s also a challenge that is definitely worth taking. Many artists will tell you that there’s nothing quite like drawing from life, so even though drawing while looking in a mirror might be difficult, it’s quite rewarding. One thing you can do to make the process a bit easier on yourself is to take a backup photo. Once you have your pose in the mirror down, take out your phone and take a quick picture. You can use this as a guide to ensure that your light source doesn’t change and to help you capture little details that may not show up in the mirror. Sometimes less is more. But that’s not always the case when you are drawing a self-portrait. You could draw a minimalist self-portrait, and it could turn out amazing. But if you want to do a highly detailed self-portrait, you are going to have to spend some more time and effort on the process.

Drawing The Nose: From the inner corners of your eyes, draw two straight lines going down up to the third red guide line, it’s also the level of where the bottom of your ears are. These are the marking points for your nose. Begin drawing the nose while being careful to stay within those lines! The tip of the noise is usually rounded, so once you reach that point, draw a very light circle to serve as a shaping guide. Sketch two small oblongs with tips tapering (almost like teardrops but curved) towards the center very lightly under the tip of your nose on both sides. These will be the nostrils. Pay close attention to the size and shape of your nostrils, make sure that the holes you draw are not too big nor too small. Unless of course that is what you can clearly observe on your model or reference. When not done carefully, it could ruin the proportion of your portrait drawing.

Gerry Bryceland‘s guides about portret painting: Facial hair like eyebrows and eye lashes are usually the same color as the hair on the head, but they are painted more delicately with the smallest brushes. The underpainting in these areas is simply a darker shade of skin tone. The soft texture of the hair on the eyebrows and eye lashes is slowly built up with delicate strokes of a thinly mixed ivory black. It is very easy to overdo these features, so you should start by applying a few strokes, then stopping to check the effect. Apply a few more, then stop and check again. Continue this process until you achieve the satisfactory density of hair for the eyebrows and eye lashes. It is often better to omit the lower eye lashes which tend to obscure the the tone and consequently the form of the lower eye lid.

Try to start your self-portrait with light, quick sketching lines. This will not only breathe life and create a sense of movement in your drawing, but it will also allow you to lay out a solid foundation before you start to render your drawing in with more details. If you decide that you want to draw a black and white self-portrait, you have your choice of many different materials you could use. Two of the most popular options are graphite and charcoal. Both have their advantages and can be used in similar ways, but they are definitely distinctive materials that will give you a different look for your finished drawing.

About Gerard Bryceland: I’m Gerard Bryceland an artist based in Maidstone Kent and regularly get commissioned to do work doing paintings and portraits of people and their families. I’ve always been an artist from my childhood, I loved drawing my friends and family initially just to mess around with my friends and had a lot of fun drawing them. But as i got older it really just became a business as my friends and their families would want me to do family portraits and that type of thing. With word of mouth word gets out and before you know it you know it I’m 35 and still doing the same thing.